If 2023 was the peak, 2024 is what happens when you refuse to stay there. This collection is genuinely all over the place — and that's what makes it so interesting. There are grid-based pieces layering color washes under intricate black line work, meditative grayscale mandalas stripped down to pure form and tone, bold geometric compositions built entirely from overlapping circles, and dense black and white pieces where symmetry and pattern collide into something almost architectural. New tools show up too — colored pencil makes an appearance with a dreamy purple and blue piece that has a softer, more delicate feel than anything seen before. No two pieces in this era look like they came from the same hand, and yet somehow they all do. Being lost, it turns out, is one of the most productive places an artist can be.